Netsuke Carving

Netsuke Carving

The Art of Carving Netsuke $25.24 A new title on the intricate skill of creating Japanese netsuke, traditionally created for practical reasons (to secure a valuables pouch to the sash of Japanese garments), yet now highly collectible works of art. Concise, step-by-step instructions are accompanied by numerous color photgraphs taking the reader through a wide range of projects. This book will inspire carvers of all abilities, from the relative beginner to the experienced and dedicated carver to create their own superb, miniature carvings reflecting Japanese tradition.

Carving Japanese Netsuke for Beginners $16.06 No Synopsis Available

Netsuke $45 Among the growing number of books dealing with the fascinating miniature sculptures of Japan known as netsuke, so far has treated the subject specifically from the viewpoint of the amateur collector. It is the purpose of the present volume to answer the need for such a guide. The book fulfills this purpose by organizing for the first time in easy reference form the assorted bits and pieces of information included in earlier books about netsuke. At the same time it approaches the subject from the point of view of the amateur collector rather than that of an owner discussing his own accomplished collection. Ever since Japan's emergence a little over a century ago from her long period of seclusion under Tokugawa rule, netsuke have exerted an. almost irresistible attraction for Western collectors. These tiny carvings-exquisite in detail, charming in conception, and delightful for the. sheer tactual pleasure to be experienced in handling them-captivated admirers of Japanese art and craftsmanship. Basically, netsuke were utilitarian in purpose, for they were designed to serve as pendants or toggles to support medi-. cine boxes, writing cases, smoking equipment, and similar articles worn suspended by a cord from the obi-a practical device since the kimono had no pockets. At first quite primitive in design, they soon became more and more sophisticated, and their carvers turned increasingly to the lege ndry of Japan and China for inspiration and subject matter. As J apanese costume became ever more Westernized, however, netsuke went out of fashion and, almost simultaneously, became the object of intensive sea rch by collectors and museums. That the search continues-and that the interest in netsuke is a developing one-is proved not only by remarkable increases in the prices of. genuine netsuke but also by the recent appearance of more and more literature dealing with these charming products of Japanese craftsmanship. The r eader will quickly discover from Mary Louise O'Brien's delightful and competent. handling of the subject ·that she has made an invaluable contribution to this literature.

Mammoth Ivory Netsuke Two Kids Playing Carving $450.00 Condition: Brand New Item Material: 100% Genuine Mammoth ivory handcrafted “2 Playing Kids” netsuke, size: 1-1/2″ x 1-1/4″ x 1″ (38mm x 32mm x 25mm). This netsuke is carved by our artisan. The carving is very detail and wonderful workmanship. Remarks: This item is 100% handmade. All materials we used are in high quality. It is a good choice for netsuke collectors. Packing: …

Netsuke Two Faced Carving Netsuke Two Faced Carving. Twelve faces showing, unsigned….

Netsuke Hardwood Carving Netsuke Hardwood Carving. Old Japanese Man holding a cup and rope, unsigned….

Japanese Treasures: The Art of Netsuke Carving in the Toledo Museum of Art $11.95 The Toledo Museum of Art has an outstanding collection of more than 250 netsuke. Fifty examples are highlighted. Chapter One relates the history of netsuke. Chapter Two illustrates the most popular types using additional examples in the collection. Chapter Three explores materials, some information about the carvers, and techniques. Selected bibliography. Index….

Driver Ball Position

PurePoint Golf Instruction – Driver Ball Position – Driver Golf Swing

I often see a number of amateurs prepare for their driver golf swing by walking up, after they have teed the ball up, they just take a step back and they address it. They grip the golf club and they address it, and they sort of just plot their feet down wherever they land, but let me tell you the proper way.

This way you'll be able to get the ball in the correct position more often than not. After you have the golf ball and you've gripped it and you have addressed it, then you'll just look down, take a peek down, and if this golf ball is running towards the left heel, then this is correct.

If you look down and you see the golf ball is a little too far forward off your left, that's too far forward and you'll probably see that the shoulders are aimed too far to the left.

On the other hand, if you look back down and you think the ball is too far back in your stance when you put this shaft along you, you'll be aiming way off to the right.

So, after you've addressed the golf ball, all you have to do to get ready for your driver golf swing is bring the shaft up and lay it along your shoulder line, and it should be going in the direction you want to go with it.

If you get it too far back in your stance at address, you'll wind up aiming your shoulders too far off to the right.

And if you get it off the left heel, this should be proper for most people.

Give that a try the next time out.

Bobby Eldridge is the Head Instructor for the PurePoint Golf Academy where he teaches "The Simple Golf Swing" theory. You can check out PurePoint Golf instructional DVDs at http://www.golfswingguru.com/index15.htmBobby Eldridge is the Head Instructor for the PurePoint Golf Academy where he teaches "The Simple Golf Swing" theory. You can check out PurePoint Golf instructional DVDs athttp://www.golfswingguru.com/index15.htm

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18 Geisha Figurine with Bamboo Tree Kimono $48 OFN2184: Features: -Figurine.-Asian style.-Crafted from excellent quality her robe is carved in traditional scrimshaw of ancient Japanese netsuke.-Her hair and pins are hand painted.-Delightful netsuke style reproduction lovely faux whale bone scrimshaw carving.-Traditional ''shimada'' chignon hair bun and authentic ''ogi'' hair accessories.-Wonderfully detailed kimono and obi with huge hand carved sleeve openings.-Lovely serene face with remote inscrutable beauty. Construction: -Heavy ivory resin construction.

2012 $82.86 "2012 - Science and Prophecy of the Ancient Maya", is a full-color, 172-page book inspired by Maya inscriptions, astronomical knowledge, math, and myth. Responding to the upsurge in interest in "the Maya prophecies", Prof. Mark Van Stone has spent the last several years researching What the Ancient Maya Actually Said about 2012. The result is based entirely on science, archaeology, decipherment, and Precolumbian art. (No channeling of ancient priests! No Planet X!) To make this arcane material as accessible as possible, he examines aspects of the phenomenon in 38 short, digestible essays, which one can read in any order. It is eminently browsable. It is also dense with information: Dr. Van Stone does not "dumb down" information to reach some imaginary least common denominator. It is also visually appealing; the only art book on the subject....A Biographical blurb: Professor Mark Van Stone has spent his entire life studying the art and history of written forms. He started 40 years ago with Celtic manuscripts such as the 7th/8th- century Books of Kells and Lindisfarne. Progressing to Roman and Greek inscriptions, and to Egyptian hieroglyphs, he later lived in Japan, studying netsuke carving and calligraphy. Finally receiving his Ph.D. in Maya Hieroglyphs in 2005, Dr. Van Stone combines a rare general understanding of all ancient scripts with an even rarer ability to *write* them, not just read them. Long before receiving the doctorate in Maya Hieroglyphs, Mark earned his Bachelor's Degree in Physics and worked for a few years at the Gamma-Ray Astronomy laboratory at the University of New Hampshire's Space Science Center (1973-77). His background uniquely qualifies him to discuss both Maya astronomy and their hieroglyphs. He presently holds the post of Professor of Art History at Southwestern College in Chula Vista, California. Mark is also co-author (with Dr. Michael Coe) of *Reading the Maya Glyphs*, the finest introductory book on the